Chamber Shakespeare Cycle - Hamlet Macbeth Othello Lear

Chamber Shakespeare Cycle - Hamlet Macbeth Othello Lear

Chamber Shakespeare Cycle - Hamlet Macbeth Othello Lear's picture
Production Company/Performer
Chamber Shakespeare Company
Category
Theatre
Homepage
http://www.chambershakespeare.com
Synopsis

CHAMBER SHAKESPEARE CYCLE
I Hamlet
II Macbeth
III Othello
IV Lear

HAMLET shows the tragic mind at its very conception, naive and inherently innocent, struggling to comprehend and fulfill the tragic mission laid upon him by the ghost of his father.

MACBETH becomes everything that Hamlet struggled to fight against.
He is the corruption of himself, defiling everything that approaches him,
everything that sees him, everything that he touches.

OTHELLO has emerged from “slavery” to find “redemption” through Desdemona. But after the ‘true friend’ of Horatio and Banquo comes the ‘false friend’ of Iago to plunge Othello into Chaos.

LEAR shows the protagonist as an old man, who has survived the trials of his three previous incarnations and possesses their knowledge. He is now ready to withdraw from the stage and desires only peace. But he is forced once more to fulfill the final tragic apotheosis.

Background

The Chamber is an adaptation concept, inspired by Japanese Noh, Greek Tragedy and Ta'ziyeh.

All scenes, characters and sub-plots unknown to the protagonist have been cut. The text has been distilled and shifted. For only what the protagonist knows and sees can be shown on stage. This allows the play to follow and represent his consciousness alone.

Its performance style is remarkable for its extreme simplicity of staging.

Three actors use coloured scarves to delineate and define characters;
lighting is left simple and unchanged (augmented by candles);
the actors themselves provide all music and sound effects;
there are no realistic swords or swordplay;
fabric, paper and wood are the only props;
and the actors return into the audience to watch the play when they are not involved in any scene.

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